babbling_bookends: Image of a great tit, perched on a branch. It has a black and white head with a yellow belly and a blue back (Default)

Batman/Dylan Dog #1




  • Comic Series: Batman/Dylan Dog

  • Issue Number: 01

  • Title: The Shadow of the Bat

  • Writer(s): Roberto Recchioni

  • Artist(s): Gigi Cavenago & Werther Dell’edera

  • Colorist(s): Gigi Cavenago (Prologue); Giovanna Niro

  • Letterer(s): Pat Brosseau



This was genuinely one of the most enjoyable comics I’ve read in a while. The dialogue was funny, the art was great, the characters felt alive. And you got 88 pages for $4.99! For comparison, Action Comics #1063, which released the same week, was also $4.99 and only had 36 pages. That’s 5.7 cents per page vs. 13.9 cents per page. I love a great deal almost as much as I love a great comic!




Click to read more!

This was my introduction to Dylan Dog and I’ve gotta say, he’s fantastic. The interactions between Dylan and Bruce immediately showed off the differences in their characters and personalities, giving me a pretty good sense of who Dylan Dog is. Also, Groucho is such a fun character, he plays off of Dylan so well!



Three vertical rectangular comic panels going left to right. Panel 1: Groucho leans against the door frame. He is wearing reflective round glasses that cover his eyes, and he has a thick rectangular mustache. He is wearing a black suit and tie with brown pants. A cigar is held between the fingers of his left hand. He says, ‘We’re six months late with the rent, the electricity and gas are about to be cut off, you haven’t paid me for a year… and you refused his money?’ Panel 2: Dylan Dog, in his signature red shirt, pulls on his black jacket. He says, ‘We can’t sit here twiddling our thumbs!’ Grab the pistol, Groucho… We’re going out!’ Panel 3: Groucho, illuminated by purple light from outside, his cigar now lit and smoking, says ‘Our relationship lacks communication, boss.’

And the art! The use of color and shadow was so fun, and every panel was doing something. Also, I didn’t have to deal with the distraction of characters leaping out of the panel bounds every single page like I do for some comics (Looking at you, Batman and Robin).



Now, it was pointed out in some other reviews and commentary that the female characters weren’t treated very well, that they were there to be sexy side dressings, and while I do agree with that, it’s definitely not the worst example I’ve ever seen. Dylan is a little sleazy! He has that film noir-esque vibe to him, but that’s not exactly a negative thing, and while I wouldn’t call the women in the comic to be progressive examples of feminism, I was mostly neutral on the critique. I also thought the plot was a little slim, but I could see all the ways the comic was leading into the next issue, which is great. That’s what a first issue should do!




Why You Should Read This:


(Oh lord, where to start?) It’s funny, and pithy. The comic pokes fun at Batman’s whole brooding loner shtick, but not in a mean way. It has a ridiculous number of pages, but there’s no useless fluff to it. Check it out if you want to laugh and be entertained!

babbling_bookends: A black Nightwing bird symbol on a blue circle, with a black background (Nightwing)

  • Comic Series: Nightwing (2016)

  • Issue Number: 112

  • Title: Nightwing / The Son of Gray, Part 2 of 2

  • Writer(s): Tom Taylor / Michael W. Conrad

  • Artist(s): Sami Basri / Francesco Francauilla

  • Inker(s): Vicente Cifuentes / -

  • Colorist(s): Adriano Lucas / Francesco Francauilla

  • Letterer(s): Wes Abbott / Wes Abbott



This issue was much better than the last in terms of flow and style! The follow-up to the murder was predictable, but predictable doesn’t mean bad. I thought it was a fairly solid story, if a bit basic. This issue finished the story started in #111, so you’ll hear me reference that one a lot. I have a review up of #111, you can check it out here on Dreamwidth or here on Tumblr!




Click here to read more!

The dialogue was much less awkward in this issue. There was a flashback, but it appeared at the beginning, and made sense in context with the story, unlike the flashbacks in #111, which were awkwardly shoved in. This was much more cohesive.



I’m questioning why Barbara appears in this comic. The pages with her were just fluff and could have easily been cut. Her character wasn’t contributing anything to the story, except as a vehicle to highlight Bruce and Dick’s relationship. I understand that in a comic book there are main characters and side characters, and in this comic book she’s a side character, but that doesn’t mean she should be wasted on boring dialogue and bare minimum emotional support that attempted to make Batman look better.



Two Panels. First panel: Dick Grayson, wearing the Nightwing suit, pets Haley, a gray dog. Her tail wags. Barbara Gordon stands beside them, wearing pajamas and holding a cup of coffee. She says, ‘Are you just showing up at the kid’s house?’ Dick responds, ‘His uncle’s.’ Barbara says, ‘You’re sure you’ll be welcome?’ Dick says, ‘Pretty sure.’ Second panel: A closer shot of Dick’s face. He grins and presses on his mask. He responds to Barbara, ‘I’m on his pencil case.’

I have a few thoughts about the scene with Batman and Beast Boy. First, I like when Batman acts as a mentor. I think it’s a role that suits him well. He’s a well-font of practical knowledge and experience and I like when he shares that with other people. I don’t think he’s always a good mentor, but I like when he’s trying to give others the benefit of his experience. Now. With that said, I didn’t care for the scene with him and Beast Boy because it felt like it was just there to make Batman look good. I didn’t hate it! But I didn’t love it, either.



All in all, a more satisfying issue than #111, but that’s just setting the bar low. Taylor is almost finished with his run on Nightwing, I believe the last issue he’ll be penning is #118, so I’m interested to see what he does with the end of his run, tying up all the loose ends with Heartless and Dick’s inability to leap. More than that, though, I’m eager to see who will be picking up authorship of this title.





Why You Should Read This:


Same reason as the last issue, if you like supportive good dad Bruce, but also if you like reading the ending of a story because that’s what this is.

babbling_bookends: A black Nightwing bird symbol on a blue circle, with a black background (Nightwing)

  • Comic Series: Nightwing (2016)

  • Issue Number: 111

  • Title: Nightwing / The Son of Gray, Part 1 of 2

  • Writer(s): Tom Taylor

  • Artist(s): Sami Basri

  • Inker(s): Vicente Cifuentes

  • Colorist(s): Adriano Lucas

  • Letterer(s): Wes Abbott




Taylor’s Batman is a nice guy who doesn’t have control issues and lets Dick take the lead. This Batman isn’t the Batman who lost his mind and went on half a rampage against Catwoman in the Gotham War arc. If you read at least two DC comics with Bruce in it it’s like a whole new character every time. I am on my hands a knees begging for DC to hire more editors so we can at least get a Batman who is at least a little bit consistent.




Click to read more!

But I digress! This is supposed to be a comic review, not a complaint of DC overall. Here’s what I thought of this issue: Meh. Like I said, I didn’t care for Bruce’s characterization. The dialogue between Bruce and Dick felt really stilted, and the flashback panels felt like filler. I wasn’t a fan of the pacing and layout either, it just didn’t flow well.



Four panels. First panel: A blond boy with blue eyes holding cotton candy. He is smiling. He says, ‘Nope. Totally dead. Everyone was screaming. But you could still hear them hit the ground. Best thing ever!’ Second panel: Alfred Pennyworth looks disapproving and says, ‘That is hardly appropriate, young man.’ Third panel: A man with dark hair wearing a suit puts his hand on the boy’s shoulder. The boy says, ‘Gerald. I don’t like the way this guy is talking to me.’ Gerald responds, ‘No. Neither do I.’ Fourth panel: Gerald says, ‘Come along, Shelton,’ and walks away with the boy. Bruce Wayne approaches, looking downcast. Alfred says, ‘Master Bruce?’

So I’m going to go out on a limb here and say that once again, Dick’s tragic backstory was the catalyst for someone else’s backstory. This kid is a Chekhov’s gun, right? I’d bet he’s supposed to be the big bad, Heartless, or something, or maybe it’s Gerald who will turn out to be Heartless.



My complaints aside, I do like the copycat murderer story. Those are always fun in procedural dramas! The backup story for this issue was okay. The story had potential, and I liked the art style enough to want to see a conclusion.



Why You Should Read This:


If you’re a fan of supportive Bruce, check it out!

babbling_bookends: A black Nightwing bird symbol on a blue circle, with a black background (Nightwing)
Everyone look at my low-effort meme

Two comic panels. The first panel shows Batman and Nightwing standing on a roof. Batman has his arm up and is holding a grapnel gun. Nightwing says "Uh... I cant jump." The second panel shows a profile shot of Batman. His speech bubble has been edited to read "Sounds like a skill issue."
babbling_bookends: Batman (Bruce Wayne) and Robin (Damian Wayne) (Batman and Robin)

Batman and Robin #7




  • Comic Series: Batman and Robin

  • Issue Number: 07

  • Title: Cult of Man-Bat: Part One

  • Writer(s): Joshua Williamson

  • Artist(s): Simone Di Meo

  • Colorist(s): Giovanna Niro

  • Letterer(s): Steve Wands



I’m an endless optimist which is why I’m still reading this series even though nothing ever happens. What exactly is Shush supposed to be doing again? There’s some kind of evil plot, I think? Can’t remember, don’t care.



I’m happy to see Flatline back! I think she’s fun, and a little teen romance is adorable, plus I’m hoping it will inject some much-needed energy into this comic. Unfortunately, the pages of catch-up between Damian and Nika were slow and meandering and, dare I say, boring. It could have been heavily abbreviated.





A gripe I had that was specific to this issue was where Damian and Nika were discussing Damian's relationship with Bruce, and Damian says that "We have had some... rough moments, but it has been good since I moved back in with him." I just wish that we would have seen some actual rough moments, but as I've said before, Williamson has pretty much skipped over anything that could be interesting in favor of making Damian and Bruce get along pretty much from the get-go with very minimal conflict. Their only real argument was over Damian going to school, and Damian ended up wanting to go to school anyway because of Principal Stone, aka Mistress Harsh, aka Shush. I'm back to my old "it's too nice" complaint.



It’s a little funny re-reading my review of the first issue of this series where I gushed about the art, because my opinion has really changed. I still like the jewel tones, but the more I’ve read it, the harder I’ve found it to read. The panel layouts are sometimes confusing, and most of the time there’s just too much going on for your eyes to easily follow the action. The panels on top of a full image page have gotten a little old.



Wow, this was a really pessimistic review. I do like the comic, it's just that the longer I read it, the more glaring the things I dislike get. The addition of Flatline is one I'm excited for, I think she's fun, and the little glimpse at the real reason why she was in Gotham intrigues me.



Why You Should Read This:


If you really like Damian, and you want to see a teen romance.

babbling_bookends: Batman (Bruce Wayne) and Robin (Damian Wayne) (Batman and Robin)


  • Comic Series: Batman and Robin

  • Issue Number: 06

  • Title: Family Ties

  • Writer(s): Joshua Williamson

  • Artist(s): Nikola Čižmešija

  • Colorist(s): Rex Locus

  • Letterer(s): Steve Wands


What is there to say about this series except that it's nice? Bruce is nice to Damian, Damian is nice to Bruce, the villains are nice to Batman, and Batman is nice to the villains, even as they're beating each other up. There's no anger in this book. Even Damian's bullies are nice!



I'm sorry, 'art boy' is quite frankly the lamest insult I've ever heard. It reads exactly like something an adult would write who's never heard a teenager insult another teenager. Kids are mean, and Williamson's 'bullies' just aren't believable. Not only that, but the whole scene where Damian shows Bruce his art is unbelievably saccharine.


There's just no tension in this issue or this series, anywhere. The big bad, Mistress Harsh or Shush or whatever her name is just isn't particularly threatening. I'm hoping that now that we've got the whole Zsasz plotline out of the way, we'll get some new developments on her end.


Why You Should Read This:


If you want to see Damian and Bruce getting along with minimal issues, this is the series for you.

babbling_bookends: Batman (Bruce Wayne) and Robin (Damian Wayne) (Batman and Robin)
Series: Batman and Robin
Issue Number: 2024 Annual
Title: The Most Dangerous Road Trip
Writer(s): Joshua Williamson
Artist(s): Howard Porter
Colorist(s): Rain Beredo
Letterer(s): Steve Wands

Bruce and Damian go on a road trip for some camping and bonding time, and of course end up having to fight off a group of hunters set on killing them to win a pot set by the villainess Roulette.

I thought the story was fun. Maybe not the deepest of content or message, but there were moments I enjoyed, specifically a few that really showed how alike Bruce and Damian are.



Porter’s lineart has a very scribble-y quality to it, like he was working with a ball-point pen, which I thought worked well with Beredo’s moody, earth toned colors. The characters had very subtle expressions, if they had expressions at all, and most of the tone of a scene was imparted instead by the panel layouts and the spoken dialogue.

Why You Should Read This: If you like father-son bonding time and a simple story, check it out!

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